In fact, referring to life as a circus is notable in more than one film from Antonioni the most clear example is the dancing scene in “La Notte” (1961) where the characters refuse to exchange dramatic information, and the woman (Jeanne Moreau) vaguely refers to a thought she has, declaring that she wouldn’t share that very thought with the man (Marcello Mastroianni). Though Antonioni’s “Blow Up” (1967) takes place in London, the circus as a decisive element marks the film as an Italian narration, an element which is visually opposed to London’s more serious look. This playful approach towards daily rituals and routines has turned to a recognizable specification of Italian cinema.

He won the Palme d’Or for “La Dolce Vita” (1960) and in 1993, he was granted an honorary Lifetime Achievement Oscar.Īs always, if you think you can add to this list, do not hesitate to recommend additions. Later, he dared to use his courageous and innovative approach in editing, as in “8 ½” (1963).įellini was nominated for 12 Academy Awards four of his films won the Oscar for Best Foreign Language Film: “La Strada” (1954), “Le Notti di Cabiria” (1957), “8 ½” (Otto e Mezzo, 1963) and “Amarcord” (1974). Most interestingly, Fellini uses every cinematic material, costume, color, music, and storyline in the most playful mode possible. He playfully mixes up dream scenes and reality, and for this very reason one of the traits listed below is the passage from Neorealism. His narrative and technical style is his very professional signature. He created an extremely personal language that, if one doesn’t know the title or doesn’t have any previous acknowledgement of the identity and the film’s background, they most likely can guess the filmmaker’s name.

The fact that the expressions “Fellinian” and “Felliniesque” are common among cinema critics and filmgoers plainly underlines the vastness of Fellini’s impression on contemporary cinematic narration. Lina Wertmuller, Martin Scorsese, Terry Gilliam, Emir Kusturica, David Lynch, and Tim Burton have all clearly admitted to be influenced by Fellini’s works. The filmmakers and artists who are inspired by Fellini’s works are numerous.

Federico Fellini was one of the most effective filmmakers in cinema history.

Federico fellini director style